primeideal: Wooden chessboard. Text: "You may see all kinds of human emotion here. I see nothing other than a simple board game." (chess musical)
Serendipitous flea-market pickup last week: "Rhyme's Reason," by John Hollander. He was one of the first English poets to write what Agha Shahid Ali calls "real" ghazals--not just a series of couplets, but preserving a repeated word and rhyme scheme. This book is full of similar self-illustrating examples of various poetic forms.

One that was new to me and I'd like to try experimenting with is Hollander's take on the pantun, a Malay form that influenced the French pantoum (the latter being a series of quatrains linked by repeated lines.)
This is a single quatrain only, rhyming abab. But the sentence making up the first ab has no immediate logical or narrative connection with the second. Only the rhyme pattern and some pun or like-sounding construction connects them on the surface. It is only after the lines have sunk in that the deep connection emerges. The following example might be entitled "Catamarans."

Pantuns in the original Malay
Are quatrains of two thoughts, but of one mind.
Athwart my two pontoons I sail away,
While touching neither; land lies far behind.
primeideal: Shogo Kawada from Battle Royale film (shogo)
So sometimes when I'm browsing at the library I actually do pick up things that are not for bingo (not always, but sometimes!) Found a slim volume of poetry that had sonnet cycles and rhymed ghazals, very cool constraints. Checked it out. Some of the themes are repetitive (how early it gets dark, food flavors, the grief of exile), but still, very impressive rhymes/slant rhymes/playfulness with language, I'm a fan. Search to see if the author has written anything else.

...She's Marilyn Hacker, who was married to Samuel Delany before they both came out as gay and remained friends, and she wrote the in-universe poetry for Babel-17. Small galaxy!
primeideal: Lee Jordan in a Gryffindor scarf (Harry Potter) (Lee Jordan)
Recently read "Rhyme's Rooms," which is a book about the more technical aspects (rhyme/meter/alternate formats) of (especially English) poetry. There was a funny interchange where the reviewer was like "who is this book even for? people who like literary allusions and dense analysis but somehow have avoided poetry up until now?" author gets snippy "dude did you even read the book?" Having read the book, I agree with the reviewer that it's not clear who the target audience is--like, I think I knew many of the "basic" ideas already. But it was still worthwhile because it included a bunch of poems I hadn't seen before that do playful things with language! So here are some recs:

"Sonnet with a Different Letter at the End of Every Line" -- some of the abbreviations are a bit of a stretch, but it's funny.

"An Evening of Russian Poetry" -- making the point that just as English has "trite" rhymes like June and moon, other languages do too.

"A Measuring Worm" -- rhyming AxA haikus!

"Easter Island" -- from a book of sonnets with lots of overlapping constraints.
primeideal: Text: "Right, the colors. Whoa! Go away! We're trying to figure out the space-time continuum here." on Ravenclaw banner (animorphs)
Following on from this: if the messy beginnings of Major League Baseball map onto the messy beginnings of the USA, then the baseball equivalent of Paul Revere is Tinker to Evers to Chance. Both are notable, but are perhaps even more famous than they "should" be due to some poetry/rhyming verse. Later appraisals (20th century) have been like "actually, the poem wasn't all that great, too much rhyming" and "these guys might not have made it to the Hall of Fame as individuals." But then re-revisionism in the last few years is like "Tinker, Evers, and Chance are noteworthy as more than the sum of their parts because they represent the many regional/cultural traditions [Californians doing their own thing out west, rural Midwest, Irish Catholics in the northeast] that fed into the modernization/"professionalization" of baseball in the 1900s decade" (I read a book about them recently) and "Paul Revere's Ride should be read in context, the context is that the Civil War was about to break out and people needed to be ready to fight for the Union/freedom again."

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